Maria Loboda

Krakow, 1979
The Machine, 2023. Exhibition view, Senckenberg Nature Museum, Frankfurt, Germany
DARK FRIENDS (Knock Knock), 2022. Lightbox, painted glass, toys and sticky notes, 27 x 38 x 16 cm
Art Basel Parcours, 2022. Exhibition view, Basel, Switzerland
The Omniabsence VI, 2020. Stereo, fake snow, 25 x 50 x 13 cm
OMNIABSENT, 2020. Exhibition view, Maisterravalbuena, Madrid, Spain
OMNIABSENT, 2020. Exhibition view, Maisterravalbuena, Madrid, Spain
Sleeping with gods III, 2019. Digital print on cotton paper, 70 x 140 cm
Zero Dynasty III, 2019. Digital print on Hahnemühle cotton paper, 120 x 84 cm
Zero Dynasty IV, 2019. Digital print on Hahnemühle cotton paper, 120 x 84 cm
Zero Dynasty VI, 2019. Digital print on Hahnemühle cotton paper, 120 x 84 cm
Lord of Abandoned Success, 2019. 58th International Art Exhibition - La Biennale di Venezia, May You Live In Interesting Times. Photo by: Italo Rondinella. Courtesy: La Biennale di Venezia
An unusual carved coral group of two_gures on a bridge-a_maiden and a beggar holding a bird perched on a chain, 2019. Exhibition view at Ujazdowski Castle, Warsaw, Poland
The Evolution of Kings, 2017. Digital print on Hahnemühle cotton paper, 100 x 150 cm
The Evolution of Kings, 2017. Digital print on Hahnemühle cotton paper, 100 x 150 cm
Witch's ladder, 2014. Sisal rope, Lady Amherts pheasant feathers, variable dimensions
A guide to insults and misanthropy, 2006. Flowers, variable dimensions
Havoc in the Heavenly Kingdom, 2017. Exhibition view, Kunsthalle Basel
To separate the sacred from the profane, 2016. Site-specific installation, variable dimensions, installation view, CAC Vilnius
To separate the sacred from the profane, 2016. Detail
To separate the sacred from the profane, 2016. Detail
To separate the sacred To separate the sacred from the profane, 2016. Site-specific installation view, HYPERMAREMMA 2025. Cosa, Ansedonia, Italy
To separate the sacred from the profane, 2016. Site-specific installation view, HYPERMAREMMA 2025, Cosa, Ansedonia, Italy
The Depth boy, 2016. Aluminium box and objects, 90 x 65 x 40 cm
Las Fieras, 2014. Digital print on Hahnemühle cotton paper, 55 x 38 cm each
The interrupted pillar, 2014. Polysterene, polyurethane, acrylic, varnish. variable dimensions. Exhibition view Dead guardian, Kunstverein, Braunschweig
The interrupted serpent, 2014. Bronze, variable dimensions, Edition of 5
This work is dedicated to an emperor, 2012. Installation view. dOCUMENTA (13), Kassel